Mood, for me, is the delicate distinction between the mundane and the intriguing reality of raw emotions. It's a balance that requires an almost intuitive sense to know where to simplify and where to add complexity. This process often feels like an inner struggle—constantly questioning where to draw the line, where to shade, where to enhance, and where to delve deeper. The greyscale values need to be just right to convey that hint of depth, the subtle folds and curls, and the nuances of emotion. It's about breathing life into the work where it's most needed. It's not just about the choice of reference material; it's about understanding what the artwork requires to reach the desired mood and effectively tell a story.

Reflecting on my previous drawings, I've realized that technical skills, while crucial, are not always sufficient. Empathy and a deeper understanding of the unspoken nuances are essential. Without these elements, any artwork risks losing its meaning. It becomes a mere image, devoid of story and depth. Art, to me, is about more than just replicating what I see—it's about capturing the essence of what is felt but not always seen. It's about connecting with the viewer on an emotional level, inviting them into the story I am trying to tell. This understanding transforms a simple drawing into a powerful narrative, rich with life and emotion.

Study - Portrait VI

Pencil drawing
300gsm, Canson Aquarelle paper
70 x 100cm

Sundsvall
Sweden 1997